Movie Review: “Birdman” Makes the Imagination Soar

I had to go see a movie called “Birdman.” I figured the main character had to be a brother from another mother given his name and my surname. Birds of a feather flock together.

I was looking for something decent, too. I skimmed (I don’t ‘read’ for fear of prejudicing my own opinion) a couple of reviews mainly to see if there were any superlatives. It turns out this  flick I had never heard of is something of a ‘sleeper’.  One major review said it very could well be the best movie made all year.

The flick opens with a backside view of a man sitting in his underwear staring out of a window and musing on his crummy state.. Not having the greatest eyesight, I had to focus to notice that he was in fact sitting on air, i.e. levitating.

This is indeed the Birdman, whose real name is Riggan Thomson (Michael Keaton). Sitting in a dumpy room reminiscent of pictures of Adolph Hitler’s abode during his early house arrest, Riggan is conversing with an unseen voice. At this point, as a Christian person, I was beginning to have some concerns about the potential spiritualist bent of “Birdman.”

However, the film, i.e., “Birdman”, begins to fly, especially photographically right after this opening scene

The camera follows Riggan around. The filming technique is unique. especially at the beginning. Internet sites focusing on the cinematography note the movie was filmed as if it was all done in one take. The cinematography is the work of Emmanuel Lubezki, the man who also worked his wonders on the space thriller “Gravity”, a movie I had high praise for.

Riggan has sunk all his money into producing a Broadway play based on the work of an author whose book is 60 years old. When one of the key actors experiences an unfortunate accident while rehearsing, the play seems doomed. However, RIggan is glad the man is gone because he was a terrible actor.

One of the other actors, a woman named Lesley (Naomi Watts), uses her relationship with well known Broadway star Mike Shiner (Ed Norton) to convince him to join the play. Initially elated, Riggan begins to regret Mike’s presence when it is clear the actor is a first-class jerk and is taking over the play. This relationship serves as the major character conflict in “Birdman”, Also providing pain to Riggan is his former druggie daughter Sam (Emma Stone), who is his personal assistant.

The “voice” is also a source of conflict. It continually makes its presence known to Riggan, and what he has to say is not particularly encouraging, especially when it comes to the former Birdman’s efforts to be a success on Broadway. The film portrays Riggan as a man trying to attempt a feat he apparently doesn’t have the chops for.

The frustrations experienced by Riggan”s battles with the other characters tend to produce F-bombs at times. I note this only for the sake of my fellow believers whose sensibiities might bothered by watching a film with this kind of language.

Typically, as with many men, Riggan is encouraged by the women in his life, including his ex-wife and girlfriend, an actor in the play. Lawyer friend and producer Jake (Zack Galifianakis) also more vociferously pushes Riggan to carry on, especially since he is privy to their financial straits.

Keaton is Jack Nicholson-esque in his portrayal of the aging, fading actor trying to turn his life around. Norton and Stone also provide fine performances as flawed people seeking to make their way in New York City. Wasn’t it Sinatra who used to sing that if you can make it there you can make it anywhere.



“Birdman” is definitely a special movie, in a strange sort of way. It is difficult to separate truth from reality in this film, especially when it comes to RIggan’s musings. But isn’t that what the cinema is for–to spark our imaginations?


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